Struggles and Stage: Sajid Abbasy’s Path in Theatre in Mumbai
For Srinagar’s Sajid Abbasy, the stage has always been more than performance—it has been a medium of expression. His recent appearance at Pratibimb Theatre in Mumbai, under the guidance of actor and filmmaker Vinod Saroj, marked another step in his artistic journey. Abbasy took part in the productions Campus and Azadi Kay Deewane, plays that explore questions of student politics and the spirit of freedom.
Abbasy’s first steps in theatre began in Srinagar, where he performed in local cultural events. Yet the absence of consistent platforms, rehearsal spaces, and professional theatres made it difficult for him to continue. “Kashmir has no shortage of talent,” he reflects, “but without proper infrastructure, our youth cannot push their art to its full potential.”
Over the years, Abbasy has found opportunities to observe and work alongside known names in the industry, including Manoj Pahwa, Vidyut Jamwal,Bijju Kalaa,Sonu Sood, and Pradeep Kabra. He has also taken part in several music videos and short films, gradually expanding his range as an artist.
While acting remains central, Abbasy has also turned to direction and scriptwriting, hoping to tell stories rooted in Kashmiri life. His long-term plan is to establish a theatre class in Srinagar, offering young people the opportunity he once struggled to find.
His mentor, Vinod Saroj, sees promise in that vision. “We are preparing a short film with a script that focuses on people and places rather than conflict. It is niche, but it carries honesty. Sajid will be assisting us in the coming months,” Saroj said.
For Abbasy, the journey is about persistence rather than quick recognition. “Our youth can perform anywhere in the world,” he says quietly, “but they need a stage to begin with.”
